- USING PLOGUE BIDULE IN PRO TOOLS 1ST SOFTWARE
- USING PLOGUE BIDULE IN PRO TOOLS 1ST PROFESSIONAL
- USING PLOGUE BIDULE IN PRO TOOLS 1ST SERIES
This is the result of the ambisonic algorithms I used to generate the surrounds.
I understand what you mentioned about voices in the rear channels. If the source file is bad, then the fixing up should be done there as much as possible.
USING PLOGUE BIDULE IN PRO TOOLS 1ST SOFTWARE
The software plugin can be useful, but not really applying to finished music unless the mix is seriously flawed to start with.
USING PLOGUE BIDULE IN PRO TOOLS 1ST PROFESSIONAL
Plus, the versions used in professional studios are hardware units often costing a lot of money. Yes, this is true, but studios rarely use them on entire mixes! They use them on individual instruments or vocals. They call it "generating harmonics" but it's still distortion! Those who advocate their use often point out that they've been used in studios for years. What they normally do is add distortion to the audio. It is as if you were listening to something through a doorway and then suddenly walk into the room.Īs for the BBE plugin you mentioned, I've tried such "enhancers" or "exciters" from time to time but they can get messy. This is important to me because I feel that 5.1 or 6.1 versions should sound as if you were listening to the same performance as the stereo recording but just with added dimensions. I appreciate what you have observed about the natural sound and preserving the dynamic range of the source. Thanks very much for the kind words and positive feedback Elektra. I have given me account, that using the VST BBE Sonic Maximizer, in an audio source stereo, and after conversed in Plogue with the V.I, themselves not the frequencies are extracted very well, or better said, the mixtures of the channels, not because?Īnd another point that I want to comment him Steve, Suite V.I and VI.I.I, for the music, seems me fantastic, but forĪudio of movie, is very very good, but leaves the VI.I or V.I some voices by the rear channels (SL, SR, CS), and isĭone me somewhat rare to listen the voices by the rear loudspeakers of my home cinema, some voices happinesses to Use the Suite V.I or VI.I in Plogue, is sufficient. I believe that, if, we have a good recording stereo PCM WAV with so alone to My intention, is to put me with the conversions of nobody, but if to say, that when many plug-ins is utilized, for, to maximize theĪudio, is finished killing the audio original source. Sound, dynamic, clarity al dialog.Creating an environment very pleasant for the ears. Steve permit me to tell him, that are you a genius Ursamtl, al to create similar plug-in for the music, I have not listenedĪnother plug-in with so much quality and so much dynamic as the Suite V.I or VI.I. Other VST plug-ins, they kill the Dynamical range, and if they kill the Dynamical range, they murder the sound. I think, that is not that so alone conserve the original audio, if not, that the improvement!!.īesides, the Suite V.I and VI.I, has a very good factor, and the fact is that conserves the Dynamical range of the audio source (and for my that to it improves).
The quality of the VST Suite V.I or VI.I, is a fantastic sound, preserve all its quality of the audio original source stereo. Once it finishes, can close, and I will have the File DTS WAV 6.1!!!!
The channel CS is a discreet channelĩ6000.hz It can be selected but this is not the caseĭirectory, will be the folder where will keep our file DTS.ĭTS PADDED, for: DVD-VIDEO (DVD Lab Pro, bears the DTS PADDED 6.1 to 24bits 48000…hz)ĭialog Normalisation, it abandonment to -31 It is executed, DTS Packer and this image appears I will codify a DTS ES 6.1 to 24bits 48000…hz
USING PLOGUE BIDULE IN PRO TOOLS 1ST SERIES
The DTS PRO SERIES can codify in the following way The audio WAV Stereo, worked with Sony Forge 8, past the DC Offset and 32bits float.Ġ2. I' am going to codify an audio, to 24bits/48000…hz in 6.1, with the Suite VI.I and the Encoder DTS PRO Series.Ġ1.
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